Wallbox Stand Automobile Barcelona — Wallbox

Wallbox

Wallbox Stand Automobile Barcelona

Brand Event · Fira Gran Via, Barcelona · Automobile Barcelona · 2023

Corporate stand for Wallbox at Automobile Barcelona, Fira Gran Via. Domestic and shared-building EV chargers positioned as a category in their own right within the motor show.

The challenge

Making the charger the centrepiece when everything around it is cars.

The standard motor show format always pushes to the same place: elevated platform, vehicle lit at the centre, perimeter counters with brochures and coffee. That works for a brand that sells cars. It does not work for a brand whose product is the component that connects to the car.

The challenge had two layers. The first was visual hierarchy. If Wallbox built its stand following the show's grammar, the charger would end up as an accessory — a small object next to an automobile that weighs two tonnes and draws the eye by default. The second layer was pedagogical. The average motor show visitor does not know the difference between a domestic charger and a fast charger, or what sets a specialist like Wallbox apart from a car manufacturer's offering. Without that distinction, the stand does not communicate.

On top of that was a real operational constraint. Pavilion 8, accessed via María Cristina, concentrates heavy traffic, and Wallbox had to maintain presence across the full ten days of the show plus the Nit de l'Automobile, without the piece ageing or losing legibility across professional and general-public hours.

Bacus's response

Invert the grammar of the show and build an object, not a counter.

Bacus approached the project in joint production with Estudi Ferran Sendra, the Barcelona studio specialised in ephemeral architecture and trade fair stands. The division of work allows Bacus to develop the concept and manage the client relationship while the industrial partner contributes the technical knowledge of pavilions, materials, and Fira regulations.

The conceptual decision is the structural element of the case. Rather than imitating car manufacturers, the stand is designed as an exhibition piece. The charger is treated as an industrial design object, lit and framed so that it reads as a premium product. The car, when it appears, provides context. It is not the protagonist. It is the sentence that explains what the displayed piece is for.

The stand's architecture articulates three clear zones: a product display area with chargers presented as autonomous objects; a technical demonstration area showing integration with the vehicle; and a visitor interaction area equipped with side tables and space for qualified conversation with professionals and press.

Production was coordinated with several vertical partners. Servifira managed the operational catering during the Nit de l'Automobile. Audiovisual material and screens were integrated into the design to reinforce the technological reading. The stand team combined commercial profiles from the client itself with hosts specifically trained by Bacus to sustain the message across ten days.

The experience

Ten different days, not ten identical days.

For the professional visitor who arrives on the press Thursday, the stand operates as a space for qualified conversation: tables, product demonstration, commercial team available. The fair's density is still low and allows a consultative experience, almost like a showroom.

For the guest at the Nit de l'Automobile, the stand changes tone. Lighting adjusts, the 360-degree photobooth is running from early afternoon, catering operated by Servifira is served during a precise ninety-minute window. The piece is experienced as an event space, not as a trade fair exhibitor. The attendee leaves with their own graphic material and with the charger as a visual memory of the moment, not as a technical product glimpsed in passing.

During the general public weekend the experience simplifies. The general visitor receives a clear pedagogical explanation, handles the charger as a physical object, and understands in thirty seconds what it does. That progression of registers — consultative, festive, pedagogical — is what keeps the stand alive throughout the entire show without any visitor perceiving a tired installation.

The result

A technology brand made visible on someone else's territory.

Wallbox leaves the show with consolidated brand presence at Spain's reference automotive sector event, a contact point with qualified specialist press, and audiovisual material generated at the 360-degree photobooth usable for months in its own communications.

For Bacus, the case confirms a reading applied to subsequent Wallbox projects at Genera, Rimini, and other international events. A technology stand does not compete with the grammar of the sector it enters. It builds its own. The charger can be the protagonist when everything around it is cars, provided the display device is designed for exactly that.

Client
Wallbox
Attendees
800
Venue
Fira Gran Via, Barcelona · Automobile Barcelona

Frequently asked questions · Wallbox Stand Automobile Barcelona

What readers ask after this case.

  • The key is not to imitate the grammar of the dominant sector. A technology brand entering a motor show loses if it copies the manufacturer format — platform, central car, perimeter counters. The stand must build a visual hierarchy where the technology product is treated as a design piece, not an accessory. In the Wallbox Automobile Barcelona case, Bacus inverted the logic: the charger is displayed as an autonomous object, lit and framed. The car, when it appears, provides context. That conceptual decision defines the architecture, lighting, and visitor flows across the ten days of the show.

  • A pavilion stand at Fira Gran Via during a ten-day professional show mobilises several verticals. The events agency takes on client direction, concept, and overall coordination. An ephemeral architecture partner — in this case Estudi Ferran Sendra — executes the technical project, industrial production, assembly, and dismantling. Catering and auxiliary services are contracted to operators accredited by Fira, such as Servifira for specific activations. Audiovisual material, furniture, lighting, attention staff, and daily cleaning all fall under the main agency's coordination. Bacus operates as the client's single point of contact and orchestrates all trades.

  • The piece is not assembled once — it is programmed. Each day of the show has a different audience: specialist press, sector gala, general public at the weekend, B2B professionals during the week. The stand must change configuration to respond to each. In the Wallbox case, the 360-degree photobooth is activated only during the Nit de l'Automobile and the highest-footfall weekend, then dismantled and the professional configuration restored. Tables, lighting, and staff are adjusted by time slot. That operational rotation is what distinguishes a stand that is tired by day six from one that is still alive on day ten.

  • A photobooth generates value when it produces immediately deliverable content, not when it is just a graphic backdrop. The 360-degree photobooth installed on the Wallbox stand during the Nit de l'Automobile captures high-resolution circular video of the guest and delivers it on the spot. That turns each professional who passes through the stand into an organic distributor of the brand on their own channels during the hours that follow. The result: the brand expands its presence beyond the pavilion at no additional paid-media cost, and the stand stops being a single point of contact and becomes a content engine.

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